Displaying 1 - 10 of 1039 entries.

Ingrid Newkirk, co-founder of PETA, on animal rights and the film about her life

  • Posted on November 17, 2019 at 2:03 am

Tuesday, November 20, 2007

Last night HBO premiered I Am An Animal: The Story of Ingrid Newkirk and PETA. Since its inception, People for the Ethical Treatment of Animals (PETA) has made headlines and raised eyebrows. They are almost single-handedly responsible for the movement against animal testing and their efforts have raised the suffering animals experience in a broad spectrum of consumer goods production and food processing into a cause célèbre.

PETA first made headlines in the Silver Spring monkeys case, when Alex Pacheco, then a student at George Washington University, volunteered at a lab run by Edward Taub, who was testing neuroplasticity on live monkeys. Taub had cut sensory ganglia that supplied nerves to the monkeys’ fingers, hands, arms, legs; with some of the monkeys, he had severed the entire spinal column. He then tried to force the monkeys to use their limbs by exposing them to persistent electric shock, prolonged physical restraint of an intact arm or leg, and by withholding food. With footage obtained by Pacheco, Taub was convicted of six counts of animal cruelty—largely as a result of the monkeys’ reported living conditions—making them “the most famous lab animals in history,” according to psychiatrist Norman Doidge. Taub’s conviction was later overturned on appeal and the monkeys were eventually euthanized.

PETA was born.

In the subsequent decades they ran the Stop Huntingdon Animal Cruelty against Europe’s largest animal-testing facility (footage showed staff punching beagle puppies in the face, shouting at them, and simulating sex acts while taking blood samples); against Covance, the United State’s largest importer of primates for laboratory research (evidence was found that they were dissecting monkeys at its Vienna, Virginia laboratory while the animals were still alive); against General Motors for using live animals in crash tests; against L’Oreal for testing cosmetics on animals; against the use of fur for fashion and fur farms; against Smithfield Foods for torturing Butterball turkeys; and against fast food chains, most recently against KFC through the launch of their website kentuckyfriedcruelty.com.

They have launched campaigns and engaged in stunts that are designed for media attention. In 1996, PETA activists famously threw a dead raccoon onto the table of Anna Wintour, the fur supporting editor-in-chief of Vogue, while she was dining at the Four Seasons in New York, and left bloody paw prints and the words “Fur Hag” on the steps of her home. They ran a campaign entitled Holocaust on your Plate that consisted of eight 60-square-foot panels, each juxtaposing images of the Holocaust with images of factory farming. Photographs of concentration camp inmates in wooden bunks were shown next to photographs of caged chickens, and piled bodies of Holocaust victims next to a pile of pig carcasses. In 2003 in Jerusalem, after a donkey was loaded with explosives and blown up in a terrorist attack, Newkirk sent a letter to then-PLO leader Yasser Arafat to keep animals out of the conflict. As the film shows, they also took over Jean-Paul Gaultier‘s Paris boutique and smeared blood on the windows to protest his use of fur in his clothing.

The group’s tactics have been criticized. Co-founder Pacheco, who is no longer with PETA, called them “stupid human tricks.” Some feminists criticize their campaigns featuring the Lettuce Ladies and “I’d Rather Go Naked Than Wear Fur” ads as objectifying women. Of their Holocaust on a Plate campaign, Anti-Defamation League Chairman Abraham Foxman said “The effort by PETA to compare the deliberate systematic murder of millions of Jews to the issue of animal rights is abhorrent.” (Newkirk later issued an apology for any hurt it caused). Perhaps most controversial amongst politicians, the public and even other animal rights organizations is PETA’s refusal to condemn the actions of the Animal Liberation Front, which in January 2005 was named as a terrorist threat by the United States Department of Homeland Security.

David Shankbone attended the pre-release screening of I Am An Animal at HBO’s offices in New York City on November 12, and the following day he sat down with Ingrid Newkirk to discuss her perspectives on PETA, animal rights, her responses to criticism lodged against her and to discuss her on-going life’s work to raise human awareness of animal suffering. Below is her interview.

This exclusive interview features first-hand journalism by a Wikinews reporter. See the collaboration page for more details.

Contents

  • 1 The HBO film about her life
  • 2 PETA, animal rights groups and the Animal Liberation Front
  • 3 Newkirk on humans and other animals
  • 4 Religion and animals
  • 5 Fashion and animals
  • 6 Newkirk on the worst corporate animal abusers
  • 7 Animal Enterprise Terrorism Act
  • 8 Ingrid Newkirk on Ingrid Newkirk
  • 9 External links
  • 10 Sources
Ingrid Newkirk, co-founder of PETA, on animal rights and the film about her life
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British TV presenter Rico Daniels tells Wikinews about being ‘The Salvager’

  • Posted on November 15, 2019 at 2:32 am

Saturday, March 14, 2009

Rico Daniels is a British TV presenter living in France who is known for his two television series — The Salvager — whilst he still lived in the UK and then Le Salvager after he moved to France. Rico has been in a variety of jobs but his passion is now his profession – he turns unwanted ‘junk’ into unusual pieces of furniture. Rico’s creations and the methods used to fabricate them are the subject of the Salvager shows.

Rico spoke to Wikinews in January about his inspiration and early life, future plans, other hobbies and more. Read on for the full exclusive interview, published for the first time:

British TV presenter Rico Daniels tells Wikinews about being ‘The Salvager’
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Wikinews interviews Brooks Lindsay, founder of Debatepedia

  • Posted on November 15, 2019 at 2:16 am

Tuesday, April 8, 2008

A reporter from Wikinews recently interviewed Brooks Lindsay, who is the founder of the online wiki Debatepedia, which claims to be the ‘Wikipedia of Debates.’

Brooks told Wikinews that “Debatepedia is a non-profit, free wiki encyclopedia of debates, pro and con arguments, and supporting evidence and quotes from scholars, experts, and op-ed writers (those figures that are actively engaged in these public debates).” He continued with “some people have called it the ‘Wikipedia of debate’, which is a pretty accurate description of what we are trying to do.”

He finished by stating that the site is “trying to cover all of the pro and con arguments in any public debate, on any topic from a global to a local level, from any region in the world, and hopefully, in the future, in any language. The objective is to frame debates in a pro/con structure – when they appropriately belong in a pro/con structure – so that people can effectively “weigh” the “sides” in a debate, deliberate, draw conclusions, and take a stand. “

The second question asked why he founded Debatepedia. He replied by saying that “With arguments, evidence, and quotes being scattered across the Internet, it is currently too difficult for citizens to view all the pros and cons, quotes, and supporting evidence in debates, deliberate and take a stand. We are trying to fill this void, on a global scale, and by open-sourcing the effort over MediaWiki software.”

When asked how Debatepedia will develop in the future Brooks said that he expects “the community of editors to grow to a much greater extent.” He also said that he hoped to be able to “clean up some of the software elements,” of the site.

When questioned about the importance of Debatepedia, Mr. Lindsay said that “Debatepedia is important for the reader and citizen as a tool to deliberate more effectively, develop greater conviction in what is righteous and what is not, and to generally increase citizen-engagement in debates, issues, and advocacy, across the world. For the writer, it is a way to have a greater voice and impact on other people, and other people’s thinking; it’s a great public service to help edit on Debatepedia, like on Wikipedia. Finally, there is the potential that Debatepedia will be used by leaders and representatives as a way to deliberate through a topic that they have to vote on, or as a destination to direct constituents to deliberate.” He said it was “perhaps a lofty goal, but real nevertheless.”

Wikinews interviews Brooks Lindsay, founder of Debatepedia
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An Ultimate Guide On How To Use A Portable Jump Starter

  • Posted on November 9, 2019 at 2:53 am

An Ultimate Guide on How to Use a Portable Jump Starter

by

Anthony FarinolaWhen your car battery dies, you can’t always expect a Good Samaritan to assist you in starting your vehicle. In such stranded situations, a portable jump starter can get you up and running in minutes. Portable jump starters are the best way to jump start your vehicle without the need for another car. It serves more like your own personal defibrillator for your car. Why People Choose Portable Jump Starters?Portable jump starters are affordable, safe and equipped with multiple uses such as charging your smartphone or filling your tire up with air. Portable 24v jump starter is powerful enough for anyone to use and start most cars. These starters are also equipped with additional safety features that keep your car from hurting. Here are some easy tips to follow to effectively and safely use a Jump Starter and get the longest life out of yours. – Most of the portable jump starters require enough charge to jump start a vehicle. So, before using the jumps starter make sure that they have the sufficient amount of charge to start your vehicle. It’s recommended to fully charge the starters after every use and you can also check the product manual to get a clear idea on charging times. – Make sure that you charge the jump starters for cars in a well-ventilated area and at least wait one hour after full charge is reached before attempting to jump start a vehicle. – By pressing down the button on the front panel, you can check whether your jump starter is fully charged. – To gain any knowledge of the information about jump starting your car engine, take a look at your vehicle manual. This step is essential, because not all the engines are the same. – While jump starting your vehicle, keep the jump starter securely in the engine bay and ensure all the cables are connected to the batter terminals. – Before connecting the jump starter to the engine, make sure that the switch is in the “OFF” position. – Connect the red cable to the positive side of the battery and the negative terminal of the battery, or to the vehicle chassis as instructed in your vehicle owner’s manual. – Switch the jump starter into the “ON” position and start the vehicle only after making sure that everything is connected correctly. – If your car won’t start after a couple of attempts, allow the jump starter to cool for 2 or 3 minutes before trying again. This prevents any damage to your jump starter. By this way, you can effectively use the jump starter and ensure longest life time. Visit http://www.lenika.com.au/ to find some quality jump starters for sale online.

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Pre-election call in Canada, Conservatives start ads, including during kids TV

  • Posted on October 30, 2019 at 2:47 am

Thursday, September 4, 2008

Canadian Prime Minister Stephen Harper may not have dropped the writ for an election yet, but his party is airing advertisements on both television and radio.

Canadian Federal Elections 2008

Day
Stories from the 2008 Canadian Federal Elections
  • 13 October 2008: CanadaVOTES: Libertarian John Kittridge in St. Paul’s
  • 13 October 2008: Canadian scientists protest Harper’s attacks on science
  • 10 October 2008: CanadaVOTES: NDP candidate Paul Arbour in Carleton—Mississippi Mills
  • 10 October 2008: CanadaVOTES: NDP candidate Jo-Anne Boulding in Parry Sound—Muskoka
  • 10 October 2008: CanadaVOTES: NDP candidate David Sparrow in Don Valley West
National Parties

Because the election is not yet official — though it is scheduled for October 19, 2009 and could be held as soon as October of this year — the ads do not count against the Conservative Party’s campaign spending limit. They have been airing since Thursday.

The advertisement includes various Canadians making statements about Harper, as opposed to the Conservative platform. One woman shown in a parking lot says that she likes “the idea that he’s a family man with young children.”

The Canadian Press notes that all four major party leaders are married and have children.

Other statements include “[h]e’s doing a good job,” “I’ve never been so proud to be Canadian,” “[h]e’s on the right track” and “I like him.”

Political communication expert Jonathan Rose of Queen’s University in Kingston, Ontario told the Canadian Press: “By relying on typical Canadians in the ads, the Conservatives are hoping that the voter will find the connection powerful. Unfortunately, these kind of ads are based on assertions, not arguments. There is no evidence given to support the claims made in them.”

A writer for The Montreal Gazette comments that, “at the end, it’s hard to tell whether Stephen Harper is trying to smile or grimacing with the effort to convey warmth.”

The Conservative Party ads are airing during children’s programming, amongst other air times, presumed to be an attempt to reach parents.

Gazette writer Elizabeth Thompson noted that her daughter had seen one of the ads during an airing of SpongeBob SquarePants on television station YTV. Thompson criticized the choice to air the ads in the time slot, after her daughter repeated the ad claims “matter-of-factly”.

SpongeBob SquarePants was shown in a recent poll to be watched by 24 percent of parents with their child. About 41 percent of YTV’s audience is above the age of majority, and 68 percent of its reach composition, according to fall 2007 statistics by BBM Nielsen Media Research.

Pre-election call in Canada, Conservatives start ads, including during kids TV
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Sample from Turkish patient shows mutated Bird Flu virus

  • Posted on October 30, 2019 at 2:09 am

Monday, January 23, 2006

A mutated form of the Avian (Bird Flu) virus has been found in a sample taken from a Turkish patient.

The mutated form is said to make the virus easier to attach itself to humans rather than animals says a report in the Nature journal.

The situation is being monitored by the World Health Organization but says “it is too early to know whether the virus is changing in ways that would signal the start of a human flu pandemic,” says Maria Cheng a spokeswoman for the WHO. “It’s one isolate from a single virus from Turkey. The sample suggests the virus might be more inclined to bind to human cells rather than animal cells, but there’s no evidence that it’s becoming more infectious. If we started to see a lot more samples from Turkey with this mutation and saw the virus changing, we’d be more concerned.”

However, the Nature report says there is a second mutation that also “signals adaptation to humans.”

Cheng also said that “flu viruses mutate all the time. For us to assign public health significance to a genetic change we need to match it to what is happening epidemiologically — how the virus is behaving — and clinically — if it’s more or less virulent.”

In Turkey the fatality rate from the Bird Flu is 50% where elsewhere in the world reports of infection were only scattered. Entire families have been affected in Turkey and more reports come out almost every day of mild symptoms.

So far, Turkey has suffered four deaths and 21 infections. In addition to those cases the WHO reports 145 cases and 80 deaths in Cambodia, China, Indonesia, Thailand and Vietnam.

“When this outbreak (in Turkey) was first reported, there was a lot of concern it was behaving differently,” said Cheng. Subsequent investigation, however, has indicated no major behavioral change.

“The team there told us that after two weeks of investigating, they haven’t found substantial differences in the pattern we’ve seen in Southeast Asia,” said Cheng.

The mutations were discovered by scientists in London, England in a lab.

Cheng said this may “signify the virus is trying different things to see if it can more easily infect humans. So far, we haven’t seen that the virus has the ability to do this. But it’s important that we continue monitoring. We would be concerned if we were seeing successive generations of spread of the virus. We haven’t so far. All these people had a very clear history of contact with diseased birds.”

Health officials say that so far they do not see any evidence yet that the virus can spread easily in humans.

The Bird Flu virus, strain H5N1, first started to infect humans in 1997 in Hong Kong. In 2003 it re-emerged and it has so far been difficult to control.

Sample from Turkish patient shows mutated Bird Flu virus
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Bat for Lashes plays the Bowery Ballroom: an Interview with Natasha Khan

  • Posted on October 18, 2019 at 2:34 am

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.


DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Bat for Lashes plays the Bowery Ballroom: an Interview with Natasha Khan
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Ayatollah Rafsanjani commemorates Iran-Iraq battle victory

  • Posted on October 13, 2019 at 2:03 am

Saturday, May 19, 2007

Ayatollah Hashemi Rafsanjani commemorated the “the glories of the Islamic Revolution, the Sacred Defense in particular” during Friday prayers. He used the occasion “especially at a point when Iran’s defensive powers might be underestimated.” On 24 of May 1982, Iran drove Iraq out of Khorramshahr near its border with Iraq.

Ayatollah Rafsanjani has been the chairman of the Expediency Council which resolves government disputes arising out of legislations and advises Grand Ayatollah Ali Khamenei.

Rafsanjani chided the Western countries for equipping Iraq during the war and said the Iraqi army used “hideous chemical weapons of the most destructive kind and that they targeted Iranian cities, ships and planes, taking advantage of the West’s intelligence and ammunition.”

Next, Rafsanjani indicated that Iran was open to compromise and negotiation on the impasse of Iran’s nuclear activities. Nevertheless, he stated the Iran would not brook pre-conditions. He stated, “They set a precondition for negotiations, which is humiliating to us.” He, moreover, said,

If the West is honest in its claim, doors for negotiation in the field of nuclear issue will be open.

Rafsanjani has also accused the West of wanting to bring about discord among Shi’ite and Sunni Muslims. A few days ago, he called King Abdallah bin Abdul-Aziz of Saudi Arabia to exchange view regarding this issue. King Abdullah responded that Iran has strengthened bond among Islamic nations and praised the Islamic Republic. On a similar note, in a meeting with the parliament speaker of Morocco, Rafsanjani said, “Resolving problems requires convergence and assistance from other Islamic countries.”

Ayatollah Rafsanjani commemorates Iran-Iraq battle victory
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Category:Food

  • Posted on October 10, 2019 at 2:36 am

This is the category for food.

Refresh this list to see the latest articles.

  • 14 April 2017: Google blocks home device from responding to Burger King commercial
  • 1 January 2017: William Salice, creator of Kinder Surprise eggs, dies at 83
  • 3 December 2016: Chinese chef Peng Chang-kuei’s death announced
  • 5 October 2016: World Wildlife Fund: 75% of seafood species consumed in Singapore not caught sustainably
  • 14 September 2016: Scientists claim decrease in hotness of Bhut Jolokia
  • 17 October 2015: Police shut down Edmonton pizza restaurant for illegally delivering alcohol
  • 16 September 2015: Subway sandwich empire co-founder Fred DeLuca dies
  • 30 August 2013: UK beer, soft drinks delivery drivers vote to strike
  • 7 August 2013: Russian government homosexuality position leads to NYC Russian vodka boycott
  • 12 May 2013: Fifth Expo Gastronomía finishes in Caracas
?Category:Food

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Japan raises severity level of crisis; efforts to cool damaged nuclear power plant continue

  • Posted on October 4, 2019 at 1:04 am

Friday, March 18, 2011

As the nuclear crisis in Japan’s crippled Fukushima I Nuclear Power Plant appears to worsen, Japan’s nuclear safety agency raised their assessment of its severity from 4 to 5 on the 7-level International Nuclear Event Scale, the same rating given the 1979 Three Mile Island crisis. Japan’s Prime Minister, Naoto Kan, said bluntly that the situation at the nuclear power plant was “very grave”. Weather forecasts indicate changing winds may begin moving radiation closer to Tokyo by March 30.

Efforts thus far to cool nuclear fuel in the reactors and the spent-fuel pools has produced little if any success, contends United States government officials.

Engineers are working frantically to connect electrical power to two reactors in the plant, as well as to restart the cooling systems and prevent overheating of fuel rods. Tokyo Electric Power Co. stated that it hopes to reconnect a power line needed to restart water pumps to the No. 1 and No. 2 reactors by Saturday morning. However, a TEPCO official cautioned that if the water pumps were damaged by the tsunami, they could fail to restart.

The extent of the damage to the plant’s reactors is still unclear. Japanese officials have concentrated on cooling spent fuel rods in Reactor No. 3’s storage pool. On Friday, however, steam was seen rising from Reactor No. 2., where an explosion occurred on Tuesday. Additionally, engineers said on Thursday that the steel lining of the storage pool at Reactor No. 4 and its concrete base seemed damaged, as attempts to refill the pool with water became increasingly difficult.

In a briefing on Friday, Philippe Jamet, a commissioner at France’s nuclear regulator Autorite de Surete Nucleaire, said, “We must avoid being overly optimistic. This will likely take human intervention like going into control rooms to reconnect valves.”

Japan raises severity level of crisis; efforts to cool damaged nuclear power plant continue
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