Displaying 11 - 20 of 991 entries.

New study of endangered whale shark youth shows vital habitat similarities

  • Posted on May 13, 2019 at 1:04 am

Sunday, June 10, 2018

In findings published on Friday in PeerJ, an open-access peer-reviewed scientific journal, researchers from the University of York and Maldives Whale Shark Research Programme have mapped key habitats of the world’s largest fish, the whale shark, shedding light on congregation sites that have perplexed marine biologists.

According to the researchers, Whale sharks, Rhincodon typus, listed as endangered under the IUCN Red List, do feed in the open ocean, but juveniles tend to form large groups in only about 20 to 25 specific places around the coasts of Mexico, Belize, the Maldives, and Australia, which previous research has not explained. The research team reviewed dozens of previous papers, compiled their findings into a database, and performed spatial analysis with the aggregate shark-related event data. Results showed the sharks’ frequented sites had areas of very shallow water near a steep drop-off into the depths, such as a shelf break or reef slope.

The whale shark can grow to eighteen metres (60 ft) in length. Unlike its better-known relatives, the Great white shark and other predatory sharks, the whale shark is a filter feeder, meaning that it draws water into its mouth and extracts small organisms from the liquid. They can search for food at the surface of the ocean but are also known to dive deep. According to supervising author Dr Bryce Stewart, PhD, “Sharks are ectotherms, which means they depend on external sources of body heat. Because they may dive down to feed at depths of more than 1900 metres, where the water temperature can be as cold as four degrees, they need somewhere close by to rest and get their body temperature back up. Steep slopes in the seabed also cause an upwelling of sea currents that stimulate plankton and small crustaceans such as krill that the whale sharks feed on.”

Such sites are also attractive to fishing and recreational boating, and collisions can injure sharks. Stewart emphasized the importance of using research to help preserve and protect the sharks, calling them, “extremely valuable to local people on the coastlines where they gather, which are often in developing countries. While a whale shark can be worth as much as $250,000 USD dead, alive it can provide more than $2 Million USD over the course of its life span.” The latter figure specifically estimates only ecotourism.

New study of endangered whale shark youth shows vital habitat similarities
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Bush calls for ban on gay marriage

  • Posted on May 11, 2019 at 1:43 am

Sunday, June 4, 2006

United States President George W. Bush used his weekly radio address to propose the country’s Constitution be amended to ban same-sex marriages.

Mr. Bush formally defined marriage as a “union between a man and a woman” and said that an amendment was needed because the presence of “activist” courts left him with no alternative. He also stated that, “Ages of experience have taught us that the commitment of a husband and a wife to love and to serve one another promotes the welfare of children and the stability of society.”

Democrats have accused the government of using this as a smokescreen to divert attention from more important issues. Senate Minority Leader Harry Reid said, “Bush Republicans would rather focus on purely divisive maneuvers than real solutions that address the growing energy crisis.”

The President may be able to focus attention on a subject of his choosing at a time when an energy crisis or the war in Iraq may be a distraction for his Republicans and a vote-winner for Democrats.

A recent Gallup poll showed that 59% of Americans were against validating gay marriages by law. It is possible the Republicans will use this finding to gain a political edge come election time. An amendment such as one to ban gay marriage may not pass, but some assert this will be a vote-winner for the Republicans during the mid-term polls in November.

Any such amendment would need two-thirds approval in the House of Representatives (290 out of 435) and the Senate (67 out of 100) as well as the approval of three-fourths of the state legislatures (38 out of 50). Currently, the Republican Party holds 231 seats in the House and 55 seats in the Senate, and has majority control of 20 state legislatures. A similar amendment was defeated in 2004.

Bush calls for ban on gay marriage
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Bull moose shot by police in Alaska

  • Posted on May 11, 2019 at 1:19 am

Sunday, October 18, 2009

University of Alaska Anchorage campus police shot a bull moose on Thursday after it became entangled within fencing material.

The animal was reportedly in an “agitated state” when it got its antlers stuck in a fence used to support young trees. Attempting to free itself, the moose struggled as it began moving towards the campus’s Fine Arts Building. Police blocked off the area and alerted the Alaska Department of Fish and Game before they shot the bull as it became an “imminent threat”.

Police chief Dale Pittman said that the preferred method of taking down the animal was with tranquilizers, but the university’s police are not trained to use such drugs.

Pittman said, “In order to keep our community safe, UAA Police made the decision to put the animal down rather than risk injuries or human death as a result of a moose-human encounter”. He added, “We do not like having to use deadly force, even on animals”.

Bull moose shot by police in Alaska
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John Vanderslice plays New York City: Wikinews interview

  • Posted on May 10, 2019 at 1:36 am

Thursday, September 27, 2007

John Vanderslice has recently learned to enjoy America again. The singer-songwriter, who National Public Radio called “one of the most imaginative, prolific and consistently rewarding artists making music today,” found it through an unlikely source: his French girlfriend. “For the first time in my life I wouldn’t say I was defending the country but I was in this very strange position…”

Since breaking off from San Francisco local legends, mk Ultra, Vanderslice has produced six critically-acclaimed albums. His most recent, Emerald City, was released July 24th. Titled after the nickname given to the American-occupied Green Zone in Baghdad, it chronicles a world on the verge of imminent collapse under the weight of its own paranoia and loneliness. David Shankbone recently went to the Bowery Ballroom and spoke with Vanderslice about music, photography, touring and what makes a depressed liberal angry.


DS: How is the tour going?

JV: Great! I was just on the Wiki page for Inland Empire, and there is a great synopsis on the film. What’s on there is the best thing I have read about that film. The tour has been great. The thing with touring: say you are on vacation…let’s say you are doing an intense vacation. I went to Thailand alone, and there’s a part of you that just wants to go home. I don’t know what it is. I like to be home, but on tour there is a free floating anxiety that says: Go Home. Go Home.

DS: Anywhere, or just outside of the country?

JV: Anywhere. I want to be home in San Francisco, and I really do love being on tour, but there is almost like a homing beacon inside of me that is beeping and it creates a certain amount of anxiety.

DS: I can relate: You and I have moved around a lot, and we have a lot in common. Pranks, for one. David Bowie is another.

JV: Yeah, I saw that you like David Bowie on your MySpace.

DS: When I was in college I listened to him nonstop. Do you have a favorite album of his?

JV: I loved all the things from early to late seventies. Hunky Dory to Low to “Heroes” to Lodger. Low changed my life. The second I got was Hunky Dory, and the third was Diamond Dogs, which is a very underrated album. Then I got Ziggy Stardust and I was like, wow, this is important…this means something. There was tons of music I discovered in the seventh and eighth grade that I discovered, but I don’t love, respect and relate to it as much as I do Bowie. Especially Low…I was just on a panel with Steve Albini about how it has had a lot of impact.

DS: You said seventh and eighth grade. Were you always listening to people like Bowie or bands like the Velvets, or did you have an Eddie Murphy My Girl Wants to Party All the Time phase?

JV: The thing for me that was the uncool music, I had an older brother who was really into prog music, so it was like Gentle Giant and Yes and King Crimson and Genesis. All the new Genesis that was happening at the time was mind-blowing. Phil Collins‘s solo record…we had every single solo record, like the Mike Rutherford solo record.

DS: Do you shun that music now or is it still a part of you?

JV: Oh no, I appreciate all music. I’m an anti-snob. Last night when I was going to sleep I was watching Ocean’s Thirteen on my computer. It’s not like I always need to watch some super-fragmented, fucked-up art movie like Inland Empire. It’s part of how I relate to the audience. We end every night by going out into the audience and playing acoustically, directly, right in front of the audience, six inches away—that is part of my philosophy.

DS: Do you think New York or San Francisco suffers from artistic elitism more?

JV: I think because of the Internet that there is less and less elitism; everyone is into some little superstar on YouTube and everyone can now appreciate now Justin Timberlake. There is no need for factions. There is too much information, and I think the idea has broken down that some people…I mean, when was the last time you met someone who was into ska, or into punk, and they dressed the part? I don’t meet those people anymore.

DS: Everything is fusion now, like cuisine. It’s hard to find a purely French or purely Vietnamese restaurant.

JV: Exactly! When I was in high school there were factions. I remember the guys who listened to Black Flag. They looked the part! Like they were in theater.

DS: You still find some emos.

JV: Yes, I believe it. But even emo kids, compared to their older brethren, are so open-minded. I opened up for Sunny Day Real Estate and Pedro the Lion, and I did not find their fans to be the cliquish people that I feared, because I was never playing or marketed in the emo genre. I would say it’s because of the Internet.

DS: You could clearly create music that is more mainstream pop and be successful with it, but you choose a lot of very personal and political themes for your music. Are you ever tempted to put out a studio album geared toward the charts just to make some cash?

JV: I would say no. I’m definitely a capitalist, I was an econ major and I have no problem with making money, but I made a pact with myself very early on that I was only going to release music that was true to the voices and harmonic things I heard inside of me—that were honestly inside me—and I have never broken that pact. We just pulled two new songs from Emerald City because I didn’t feel they were exactly what I wanted to have on a record. Maybe I’m too stubborn or not capable of it, but I don’t think…part of the equation for me: this is a low stakes game, making indie music. Relative to the world, with the people I grew up with and where they are now and how much money they make. The money in indie music is a low stakes game from a financial perspective. So the one thing you can have as an indie artist is credibility, and when you burn your credibility, you are done, man. You can not recover from that. These years I have been true to myself, that’s all I have.

DS: Do you think Spoon burned their indie credibility for allowing their music to be used in commercials and by making more studio-oriented albums? They are one of my favorite bands, but they have come a long way from A Series of Sneaks and Girls Can Tell.

JV: They have, but no, I don’t think they’ve lost their credibility at all. I know those guys so well, and Brit and Jim are doing exactly the music they want to do. Brit owns his own studio, and they completely control their means of production, and they are very insulated by being on Merge, and I think their new album—and I bought Telephono when it came out—is as good as anything they have done.

DS: Do you think letting your music be used on commercials does not bring the credibility problem it once did? That used to be the line of demarcation–the whole Sting thing–that if you did commercials you sold out.

JV: Five years ago I would have said that it would have bothered me. It doesn’t bother me anymore. The thing is that bands have shrinking options for revenue streams, and sync deals and licensing, it’s like, man, you better be open to that idea. I remember when Spike Lee said, ‘Yeah, I did these Nike commercials, but it allowed me to do these other films that I wanted to make,’ and in some ways there is an article that Of Montreal and Spoon and other bands that have done sync deals have actually insulated themselves further from the difficulties of being a successful independent band, because they have had some income come in that have allowed them to stay put on labels where they are not being pushed around by anyone.
The ultimate problem—sort of like the only philosophical problem is suicide—the only philosophical problem is whether to be assigned to a major label because you are then going to have so much editorial input that it is probably going to really hurt what you are doing.

DS: Do you believe the only philosophical question is whether to commit suicide?

JV: Absolutely. I think the rest is internal chatter and if I logged and tried to counter the internal chatter I have inside my own brain there is no way I could match that.

DS: When you see artists like Pete Doherty or Amy Winehouse out on suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and their music?

JV: The thing for me is they are profound iconic figures for me, and I don’t even know their music. I don’t know Winehouse or Doherty’s music, I just know that they are acting a very crucial, mythic part in our culture, and they might be doing it unknowingly.

DS: Glorification of drugs? The rock lifestyle?

JV: More like an out-of-control Id, completely unregulated personal relationships to the world in general. It’s not just drugs, it’s everything. It’s arguing and scratching people’s faces and driving on the wrong side of the road. Those are just the infractions that land them in jail. I think it might be unknowing, but in some ways they are beautiful figures for going that far off the deep end.

DS: As tragic figures?

JV: Yeah, as totally tragic figures. I appreciate that. I take no pleasure in saying that, but I also believe they are important. The figures that go outside—let’s say GG Allin or Penderetsky in the world of classical music—people who are so far outside of the normal boundaries of behavior and communication, it in some way enlarges the size of your landscape, and it’s beautiful. I know it sounds weird to say that, but it is.

DS: They are examples, as well. I recently covered for Wikinews the Iranian President speaking at Columbia and a student named Matt Glick told me that he supported the Iranian President speaking so that he could protest him, that if we don’t give a platform and voice for people, how can we say that they are wrong? I think it’s almost the same thing; they are beautiful as examples of how living a certain way can destroy you, and to look at them and say, “Don’t be that.”

JV: Absolutely, and let me tell you where I’m coming from. I don’t do drugs, I drink maybe three or four times a year. I don’t have any problematic relationship to drugs because there has been a history around me, like probably any musician or creative person, of just blinding array of drug abuse and problems. For me, I am a little bit of a control freak and I don’t have those issues. I just shut those doors. But I also understand and I am very sympathetic to someone who does not shut that door, but goes into that room and stays.

DS: Is it a problem for you to work with people who are using drugs?

JV: I would never work with them. It is a very selfish decision to make and usually those people are total energy vampires and they will take everything they can get from you. Again, this is all in theory…I love that stuff in theory. If Amy Winehouse was my girlfriend, I would probably not be very happy.

DS: Your latest CD is Emerald City and that is an allusion to the compound that we created in Baghdad. How has the current political client affected you in terms of your music?

JV: In some ways, both Pixel Revolt and Emerald City were born out of a recharged and re-energized position of my being….I was so beaten down after the 2000 election and after 9/11 and then the invasion of Iraq, Afghanistan; I was so depleted as a person after all that stuff happened, that I had to write my way out of it. I really had to write political songs because for me it is a way of making sense and processing what is going on. The question I’m asked all the time is do I think is a responsibility of people to write politically and I always say, My God, no. if you’re Morrissey, then you write Morrissey stuff. If you are Dan Bejar and Destroyer, then you are Dan Bejar and you are a fucking genius. Write about whatever it is you want to write about. But to get out of that hole I had to write about that.

DS: There are two times I felt deeply connected to New York City, and that was 9/11 and the re-election of George Bush. The depression of the city was palpable during both. I was in law school during the Iraq War, and then when Hurricane Katrina hit, we watched our countrymen debate the logic of rebuilding one of our most culturally significant cities, as we were funding almost without question the destruction of another country to then rebuild it, which seems less and less likely. Do you find it is difficult to enjoy living in America when you see all of these sorts of things going on, and the sort of arguments we have amongst ourselves as a people?

JV: I would say yes, absolutely, but one thing changed that was very strange: I fell in love with a French girl and the genesis of Emerald City was going through this visa process to get her into the country, which was through the State Department. In the middle of process we had her visa reviewed and everything shifted over to Homeland Security. All of my complicated feelings about this country became even more dour and complicated, because here was Homeland Security mailing me letters and all involved in my love life, and they were grilling my girlfriend in Paris and they were grilling me, and we couldn’t travel because she had a pending visa. In some strange ways the thing that changed everything was that we finally got the visa accepted and she came here. Now she is a Parisian girl, and it goes without saying that she despises America, and she would never have considered moving to America. So she moves here and is asking me almost breathlessly, How can you allow this to happen

DS: –you, John Vanderslice, how can you allow this—

JV: –Me! Yes! So for the first time in my life I wouldn’t say I was defending the country but I was in this very strange position of saying, Listen, not that many people vote and the churches run fucking everything here, man. It’s like if you take out the evangelical Christian you have basically a progressive western European country. That’s all there is to it. But these people don’t vote, poor people don’t vote, there’s a complicated equation of extreme corruption and voter fraud here, and I found myself trying to rattle of all the reasons to her why I am personally not responsible, and it put me in a very interesting position. And then Sarkozy got elected in France and I watched her go through the same horrific thing that we’ve gone through here, and Sarkozy is a nut, man. This guy is a nut.

DS: But he doesn’t compare to George Bush or Dick Cheney. He’s almost a liberal by American standards.

JV: No, because their President doesn’t have much power. It’s interesting because he is a WAPO right-wing and he was very close to Le Pen and he was a card-carrying straight-up Nazi. I view Sarkozy as somewhat of a far-right candidate, especially in the context of French politics. He is dismantling everything. It’s all changing. The school system, the remnants of the socialized medical care system. The thing is he doesn’t have the foreign policy power that Bush does. Bush and Cheney have unprecedented amounts of power, and black budgets…I mean, come on, we’re spending half a trillion dollars in Iraq, and that’s just the money accounted for.

DS: What’s the reaction to you and your music when you play off the coasts?

JV: I would say good…

DS: Have you ever been Dixiechicked?

JV: No! I want to be! I would love to be, because then that means I’m really part of some fiery debate, but I would say there’s a lot of depressed in every single town. You can say Salt Lake City, you can look at what we consider to be conservative cities, and when you play those towns, man, the kids that come out are more or less on the same page and politically active because they are fish out of water.

DS: Depression breeds apathy, and your music seems geared toward anger, trying to wake people from their apathy. Your music is not maudlin and sad, but seems to be an attempt to awaken a spirit, with a self-reflective bent.

JV: That’s the trick. I would say that honestly, when Katrina happened, I thought, “okay, this is a trick to make people so crazy and so angry that they can’t even think. If you were in a community and basically were in a more or less quasi-police state surveillance society with no accountability, where we are pouring untold billions into our infrastructure to protect outside threats against via terrorism, or whatever, and then a natural disaster happens and there is no response. There is an empty response. There is all these ships off the shore that were just out there, just waiting, and nobody came. Michael Brown. It is one of the most insane things I have ever seen in my life.

DS: Is there a feeling in San Francisco that if an earthquake struck, you all would be on your own?

JV: Yes, of course. Part of what happened in New Orleans is that it was a Catholic city, it was a city of sin, it was a black city. And San Francisco? Bush wouldn’t even visit California in the beginning because his numbers were so low. Before Schwarzenegger definitely. I’m totally afraid of the earthquake, and I think everyone is out there. America is in the worst of both worlds: a laissez-fare economy and then the Grover Norquist anti-tax, starve the government until it turns into nothing more than a Argentinian-style government where there are these super rich invisible elite who own everything and there’s no distribution of wealth and nothing that resembles the New Deal, twentieth century embracing of human rights and equality, war against poverty, all of these things. They are trying to kill all that stuff. So, in some ways, it is the worst of both worlds because they are pushing us towards that, and on the same side they have put in a Supreme Court that is so right wing and so fanatically opposed to upholding civil rights, whether it be for foreign fighters…I mean, we are going to see movement with abortion, Miranda rights and stuff that is going to come up on the Court. We’ve tortured so many people who have had no intelligence value that you have to start to look at torture as a symbolic and almost ritualized behavior; you have this…

DS: Organ failure. That’s our baseline…

JV: Yeah, and you have to wonder about how we were torturing people to do nothing more than to send the darkest signal to the world to say, Listen, we are so fucking weird that if you cross the line with us, we are going to be at war with your religion, with your government, and we are going to destroy you.

DS: I interviewed Congressman Tom Tancredo, who is running for President, and he feels we should use as a deterrent against Islam the bombing of the Muslim holy cities of Mecca and Medina.

JV: You would radicalize the very few people who have not been radicalized, yet, by our actions and beliefs. We know what we’ve done out there, and we are going to paying for this for a long time. When Hezbollah was bombing Israel in that border excursion last year, the Hezbollah fighters were writing the names of battles they fought with the Jews in the Seventh Century on their helmets. This shit is never forgotten.

DS: You read a lot of the stuff that is written about you on blogs and on the Internet. Do you ever respond?

JV: No, and I would say that I read stuff that tends to be . I’ve done interviews that have been solely about film and photography. For some reason hearing myself talk about music, and maybe because I have been talking about it for so long, it’s snoozeville. Most interviews I do are very regimented and they tend to follow a certain line. I understand. If I was them, it’s a 200 word piece and I may have never played that town, in Des Moines or something. But, in general, it’s like…my band mates ask why don’t I read the weeklies when I’m in town, and Google my name. It would be really like looking yourself in the mirror. When you look at yourself in the mirror you are just error-correcting. There must be some sort of hall of mirrors thing that happens when you are completely involved in the Internet conversation about your music, and in some ways I think that I’m very innocently making music, because I don’t make music in any way that has to do with the response to that music. I don’t believe that the response to the music has anything to do with it. This is something I got from John Cage and Marcel Duchamp, I think the perception of the artwork, in some ways, has nothing to do with the artwork, and I think that is a beautiful, glorious and flattering thing to say to the perceiver, the viewer of that artwork. I’ve spent a lot of time looking at Paul Klee‘s drawings, lithographs, watercolors and paintings and when I read his diaries I’m not sure how much of a correlation there is between what his color schemes are denoting and what he is saying and what I am getting out of it. I’m not sure that it matters. Inland Empire is a great example. Lynch basically says, I don’t want to talk about it because I’m going to close doors for the viewer. It’s up to you. It’s not that it’s a riddle or a puzzle. You know how much of your own experience you are putting into the digestion of your own art. That’s not to say that that guy arranges notes in an interesting way, and sings in an interesting way and arranges words in an interesting way, but often, if someone says they really like my music, what I want to say is, That’s cool you focused your attention on that thing, but it does not make me go home and say, Wow, you’re great. My ego is not involved in it.

DS: Often people assume an artist makes an achievement, say wins a Tony or a Grammy or even a Cable Ace Award and people think the artist must feel this lasting sense of accomplishment, but it doesn’t typically happen that way, does it? Often there is some time of elation and satisfaction, but almost immediately the artist is being asked, “Okay, what’s the next thing? What’s next?” and there is an internal pressure to move beyond that achievement and not focus on it.

JV: Oh yeah, exactly. There’s a moment of relief when a mastered record gets back, and then I swear to you that ten minutes after that point I feel there are bigger fish to fry. I grew up listening to classical music, and there is something inside of me that says, Okay, I’ve made six records. Whoop-dee-doo. I grew up listening to Gustav Mahler, and I will never, ever approach what he did.

DS: Do you try?

JV: I love Mahler, but no, his music is too expansive and intellectual, and it’s realized harmonically and compositionally in a way that is five languages beyond me. And that’s okay. I’m very happy to do what I do. How can anyone be so jazzed about making a record when you are up against, shit, five thousand records a week—

DS: —but a lot of it’s crap—

JV: —a lot of it’s crap, but a lot of it is really, really good and doesn’t get the attention it deserves. A lot of it is very good. I’m shocked at some of the stuff I hear. I listen to a lot of music and I am mailed a lot of CDs, and I’m on the web all the time.

DS: I’ve done a lot of photography for Wikipedia and the genesis of it was an attempt to pin down reality, to try to understand a world that I felt had fallen out of my grasp of understanding, because I felt I had no sense of what this world was about anymore. For that, my work is very encyclopedic, and it fit well with Wikipedia. What was the reason you began investing time and effort into photography?

JV: It came from trying to making sense of touring. Touring is incredibly fast and there is so much compressed imagery that comes to you, whether it is the window in the van, or like now, when we are whisking through the Northeast in seven days. Let me tell you, I see a lot of really close people in those seven days. We move a lot, and there is a lot of input coming in. The shows are tremendous and, it is emotionally so overwhelming that you can not log it. You can not keep a file of it. It’s almost like if I take photos while I am doing this, it slows it down or stops it momentarily and orders it. It has made touring less of a blur; concretizes these times. I go back and develop the film, and when I look at the tour I remember things in a very different way. It coalesces. Let’s say I take on fucking photo in Athens, Georgia. That’s really intense. And I tend to take a photo of someone I like, or photos of people I really admire and like.

DS: What bands are working with your studio, Tiny Telephone?

JV: Death Cab for Cutie is going to come back and track their next record there. Right now there is a band called Hello Central that is in there, and they are really good. They’re from L.A. Maids of State was just in there and w:Deerhoof was just in there. Book of Knotts is coming in soon. That will be cool because I think they are going to have Beck sing on a tune. That will be really cool. There’s this band called Jordan from Paris that is starting this week.

DS: Do they approach you, or do you approach them?

JV I would say they approach me. It’s generally word of mouth. We never advertise and it’s very cheap, below market. It’s analog. There’s this self-fulfilling thing that when you’re booked, you stay booked. More bands come in, and they know about it and they keep the business going that way. But it’s totally word of mouth.

John Vanderslice plays New York City: Wikinews interview
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Wikinews Shorts: November 13, 2008

  • Posted on May 10, 2019 at 1:31 am

A compilation of brief news reports for Thursday, November 13, 2008.

Contents

  • 1 Study shows that carrying excess fat around waist increases risk of early death
  • 2 EU abolishes rules banning oddly-shaped fruit
  • 3 Vase bought for £1 sells for £32,450
  • 4 Blackwater may pay financial penalties for improper arms shipments
 Contribute to Wikinews by expanding these briefs or add a new one.

A new study has found that people storing extra fat around their waist have a strongly increased chance of early death, even if their overall weight is average. The study, published in the New England Journal of Medicine today, found that for each addition 5 cm on the waist, the chance of early death is increased by between 13% and 17%.

In the study, 360,000 people from across nine countries in Europe were surveyed.

One of the study’s authors, Professor Elio Riboli of Imperial College London, commented on the findings. “We were surprised to see the waist size having such a powerful effect on people’s health and premature death,” he stated.

Sources


The European Commission, the executive branch of the European Union, has today lifted its ban on unusually shaped fruits and vegetables, in what the EU’s agriculture commissioner has called “a new dawn for the curvy cucumber and the knobbly carrot”.

The regulation has previously been criticized as an example of the EU’s bureaucracy by critics of the organisation.

The products affected by the deregulation are apricots, artichokes, asparagus, aubergines, avocadoes, beans, Brussels sprouts, carrots, cauliflowers, cherries, courgettes, cucumbers, cultivated mushrooms, garlic, hazelnuts in shell, headed cabbage, leeks, melons, onions, peas, plums, ribbed celery, spinach, walnuts in shell, water melons and witloof/chicory.

Sources


A vase purchased at a car boot sale for £1 has sold for £32,450, following advice from experts on the BBC‘s Antiques Roadshow television program. The vase was sold in an auction at Christie’s.

The vase was found to be a 1929 work made by the French designer Rene Lalique.

Sources


Recent anonymous press briefings by US State Department officials indicated that its arms control division may punish Blackwater Worldwide for improper paperwork.

The Directorate of Defense Trade Controls has the power to fine or agree voluntary penalties with exporters of certain weapons, who do not follow correct procedures. Blackwater Worldwide, a private military company, exported automatic weapons to Iraq that became the subject of a federal investigation first disclosed in 2007.Concern was expressed by the unnamed officials that paperwork errors may make the weapons untraceable, and that some reached Iraq’s black market.

Sources


Wikinews Shorts: November 13, 2008
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Wikinews international report: “Anonymous” holds anti-Scientology protests worldwide

  • Posted on May 10, 2019 at 1:21 am

Sunday, February 10, 2008

The Internet group Project Chanology today held protests critical of the Church of Scientology. The protests marked what would have been the 49th birthday of Lisa McPherson, who is claimed to be a victim of the Church of Scientology’s practices. Lisa died in 1995 during a running of what Scientologists refer to as an Introspection Rundown, a procedure intended to help Church members deal with a psychotic or deeply traumatic event.

Protests were planned throughout the day in 14 countries and over 50 different cities. The estimation of total protesters world wide for Feb. 10, 2008 is 9,250 people.

Wikinews had correspondents at a number of protest locations to report on the events. This article was updated throughout the day with reports from around the globe.

Contents

  • 1 Location Reports
    • 1.1 Adelaide, Australia
      • 1.1.1 Adelaide Gallery
    • 1.2 Atlanta, Georgia
      • 1.2.1 Atlanta Photo Gallery
    • 1.3 Austin, Texas
      • 1.3.1 Austin Photo Gallery
    • 1.4 Boston, Massachusetts
      • 1.4.1 Boston Photo Gallery
    • 1.5 Brisbane, Australia
      • 1.5.1 Brisbane Gallery
    • 1.6 Brussels, Belgium
      • 1.6.1 Brussels Photo Gallery
    • 1.7 Buffalo, New York
      • 1.7.1 Buffalo Photo Gallery
    • 1.8 Chicago, Illinois
      • 1.8.1 Chicago Photo Gallery
    • 1.9 Clearwater, Florida
    • 1.10 Dallas, Texas
      • 1.10.1 Dallas Photo Gallery
    • 1.11 Edinburgh, Scotland
      • 1.11.1 Edinburgh Photo Gallery
    • 1.12 Honolulu, Hawaii
      • 1.12.1 Honolulu Photo Gallery
    • 1.13 Houston, Texas
    • 1.14 London, England
      • 1.14.1 London Photo Gallery
    • 1.15 Los Angeles, California
      • 1.15.1 Los Angeles Photo Gallery
    • 1.16 Manchester, England
      • 1.16.1 Manchester Photo Gallery
    • 1.17 Melbourne, Australia
      • 1.17.1 Melbourne Photo Gallery
    • 1.18 Minneapolis, Minnesota
    • 1.19 Milwaukee, Wisconsin
      • 1.19.1 Milwaukee Photo Gallery
    • 1.20 New Orleans, Louisiana
      • 1.20.1 New Orleans Photo Gallery
    • 1.21 New York City, New York
      • 1.21.1 New York City Photo Gallery
    • 1.22 Philadelphia, Pennsylvania
    • 1.23 Phoenix, Arizona
      • 1.23.1 Phoenix Photo Gallery
    • 1.24 Pittsburgh, Pennsylvania
      • 1.24.1 Pittsburgh Photo Gallery
    • 1.25 Plymouth, England
      • 1.25.1 Plymouth Photo Gallery
    • 1.26 Portland, Oregon
      • 1.26.1 Portland Photo Gallery
    • 1.27 San Antonio, Texas
    • 1.28 San Diego, California
      • 1.28.1 San Diego Photo Gallery
    • 1.29 Seattle, Washington
      • 1.29.1 Seattle Photo Gallery
    • 1.30 Sydney, Australia
      • 1.30.1 Sydney Photo Gallery
    • 1.31 Toronto, Canada
      • 1.31.1 Toronto Photo Gallery
    • 1.32 Vancouver, Canada
    • 1.33 Vienna, Austria
    • 1.34 Winnipeg, Canada
      • 1.34.1 Winnipeg Photo Gallery
    • 1.35 The Internet
      • 1.35.1 Internet gallery
    • 1.36 Other locations
      • 1.36.1 Stories from other locations
  • 2 Related news
  • 3 Sources
Wikinews international report: “Anonymous” holds anti-Scientology protests worldwide
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Apple introduces iPhone and Apple TV

  • Posted on May 9, 2019 at 1:37 am

Wednesday, January 10, 2007

Apple Inc. today has introduced the much-anticipated iPhone at the Macworld Conference in San Francisco.

The iPhone is claimed to be “a revolutionary mobile phone” as stated on the Apple website. The device appears to be running a mobile version of the Apple operating system Mac OSX. It is approximately the same size as a 5th generation iPod, it has a 3.5-inch LCD touchscreen display that is used to access all features of the phone including number dial, as well as making phone calls. The iPhone plays music, movies, displays pictures and is able to connect to a wireless network.

Apple CEO Steve Jobs unveiled the device by walking onto the stage and taking the iPhone out of his jeans pocket. During his 2 hour speech he stated that “Today Apple is going to reinvent the phone, We are going to make history today”.

Today Apple also released their Media Center device – Apple TV. It will directly compete with Microsoft’s Media Center operating system. Apple has taken a different approach to the media center market; rather than storing content (such as movies, music and photos) on the device, Apple TV connects to a computer (Mac and Windows) over a wirless network connection and plays all content stored on that computer. This makes it substantially easier for users to organize their media content.

Apple introduces iPhone and Apple TV
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Oil spill reported in Gulf of Mexico

  • Posted on May 7, 2019 at 1:38 am

Tuesday, December 26, 2006

At least 21,000 gallons of crude oil has spilled into the Gulf of Mexico near the United States mainland coast, about 30 miles off the shore of Galveston, Texas. The U.S. Coast Guard says that oil is still leaking at a rate of 80 to 400 gallons a day.

The High Island Pipeline began to leak on Sunday and was immediately shut down when a pressure loss was detected. The pipeline is owned by Plains All American Pipeline who state that the incident is “under investigation” and that officials are working to “minimize the impact of the incident.”

“A medium crude oil pipeline ruptured 30 miles southeast of Galveston, Texas, and leaked approximately 21,000 gallons of oil into the Gulf of Mexico Sunday, December 24,” said a press release by Coast Guard.

“There’s a 60-yard-wide oil sheen that extends for about half a mile. It is still leaking slowly, about 80 to 400 gallons a day,” added the Coast Guard.

Reports say that the oil is traveling away from any shoreline and that remaining oil is being suctioned out of the pipeline. Ships in the area have not been diverted.

“All appropriate agencies have been notified. Plains, the U.S. Coast Guard, and the Texas General Land Office are working within a unified command system consisting of Federal and state agencies and oil spill response organizations to manage and mitigate this incident. In addition, Plains has activated its spill response plan to contain and clean up the spill. At present, Plains has mobilized Airborne Support, Inc., Clean Gulf Associates and other additional resources in an effort to minimize the consequences of the incident,” said a press release by the Plains oil company.

So far, no injuries have been reported.

Oil spill reported in Gulf of Mexico
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Blow out sales prices likely on mattresses as new U.S. fire-resistant standards take effect

  • Posted on May 7, 2019 at 1:11 am

Wednesday, June 20, 2007

If you are in the market for new bedding, and not too concerned with the new United States guidelines for mattress fire resistance, now might be a good time to buy. Mattresses sold in the U.S. must meet new federal guidelines for flammability starting on July 1.

The peak heat release rate is limited to 200 kW during a 30 minute test. The total heat release is limited to 15 MJ within the first 10 minutes.”

The flammability of mattress sets sold in the U.S. is subject to a new mandatory federal regulation requirement passed by the Consumer Product Safety Commission (CPSC) on February 16 last year. The requirement, costing mattress manufacturers an estimated $100 million to meet, is scheduled to take effect on July 1. The commission anticipates that the new standards will save 270 lives and 1,330 injuries per year from mattress fires.

“We’ve passed a new open flame regulation and the whole idea behind the regulation is to make sure that if a mattress catches on fire that the fire burns slowly enough that people have enough time to get out of the house and get away,” said Hal Stratton, chairman of the CPSC

Radio and TV advertising spots are reacting to the new regulation by discounting prices on mattresses that fail to meet the new guidelines. Sales made in the mattress industry, like the automobile industry, are highly negotiable on price. The new regulation does not appear to have much “teeth” for mattresses already in the distribution pipeline, but it is a new law that is a bargaining position for potential buyers.

Blow out sales prices likely on mattresses as new U.S. fire-resistant standards take effect
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No prosecution for UK minor who called Scientology a ‘cult’

  • Posted on May 4, 2019 at 1:03 am

Saturday, May 24, 2008

The Crown Prosecution Service (CPS) of the government of the United Kingdom told the City of London Police on Friday that there will be no prosecution for a 15-year-old boy who called Scientology a “cult” at a May 10 peaceful protest. The City of London Police had previously confiscated the boy’s protest placard and gave him a court summons at the demonstration, which took place near St Paul’s Cathedral at the Church of Scientology‘s London headquarters on Queen Victoria Street. The boy’s poster read: “Scientology is not a religion, it is a dangerous cult”. The human rights organization Liberty has come out strongly against the City of London Police for their actions at the protest, and said they are pursuing an inquiry into the police force for what they say is a troubling freedom of speech issue.

Individuals from the group Anonymous have held monthly international protests against the Church of Scientology since February, as part of the anti-Scientology movement Project Chanology. The Project Chanology movement began when the Church of Scientology attempted to get a leaked Scientology promotional video featuring Tom Cruise removed from websites YouTube and Gawker.com.

Members of Anonymous were motivated by the actions of the Church of Scientology, and bombarded Scientology websites and were successful in taking some of them down. Anonymous later changed tactics towards legal measures, and held international protests against Scientology on February 10, March 15, April 12, and most recently May 10.

I am going to fight this and not take it down because I believe in freedom of speech.

City of London Police approached the 15-year-old boy at the May 10 protest and cited section five of the Public Order Act 1986, which deals with “harassment, alarm or distress“. In response, the boy cited a 1984 judgment given by Mr. Justice Latey in the Family Division of the High Court of Justice of Her Majesty’s Courts of Justice of England and Wales, in which Latey called Scientology a “cult” and said it was “corrupt, sinister and dangerous”. In the actual 1984 judgment made by Judge Latey, he stated: “Scientology is both immoral and socially obnoxious. […] In my judgement it is corrupt, sinister and dangerous. […] It is dangerous because it is out to capture people, especially children and impressionable young people, and indoctrinate and brainwash them so that they become the unquestioning captives and tools of the cult, withdrawn from ordinary thought, living and relationships with others.” The boy told fellow protesters he was not going to take the sign down, saying: “If I don’t take the word ‘cult’ down, here [holding up his sign], I will be either, I think, most likely arrested or [given] a summons. I am going to fight this and not take it down because I believe in freedom of speech, besides which I’m only fifteen.”

… it is not abusive or insulting and there is no offensiveness, as opposed to criticism, neither in the idea expressed nor in the mode of expression. No action will be taken against the individual.

When the boy refused to take his sign down, City of London Police removed it, cited him with a court summons and informed him that the matter would be referred to the Crown Prosecution Service. The boy was the only protester who did not comply with the police requests to remove signs which referred to Scientology as a “cult”. According to The Guardian, a CPS spokesman stated Friday that: “In consultation with the City of London police, we were asked whether the sign, which read ‘Scientology is not a religion it is a dangerous cult’, was abusive or insulting. Our advice is that it is not abusive or insulting and there is no offensiveness, as opposed to criticism, neither in the idea expressed nor in the mode of expression. No action will be taken against the individual.”

“The CPS review of the case includes advice on what action or behaviour at a demonstration might be considered to be threatening, abusive or insulting. The force’s policing of future demonstrations will reflect this advice,” said a spokeswoman for the City of London Police in a statement in The Guardian.

The 15-year-old boy’s mother called the CPS decision a “victory for free speech”, saying: “We’re all incredibly proud of him. We advised him to take the placard down when we realised what was happening but he said ‘No, it’s my opinion and I have a right to express it’.”

The incident has generated significant interest on the Internet, from civil rights groups and anti-cult groups, and in the press. Shami Chakrabarti, director of Liberty, and Ian Haworth of the United Kingdom-based Cult Information Centre were highly critical of the actions of the City of London Police. George Pitcher of The Daily Telegraph called the actions of the City of London Police “a mockery of the law”. Other publications also criticized the actions of the police, compared the boy to past civil rights protesters, and analyzed how the characterization of “cult” applied to Scientology. The Guardian reported that human rights activists “were outraged” when reports of the actions of the City of London Police at the protest surfaced this week. Marina Hyde wrote in a comment piece in The Guardian that the City of London Police should spend a little less time “reaching for the collar of free-speaking children”. An article in The Guardian about the boy’s court summons hit the front page of the website Slashdot on Wednesday, and an article about the statement by CPS hit the site’s front page on Friday. The anti-Scientology website Enturbulation.org devoted its front page to the incident on Saturday.

The police may have ended their inquiries into this tawdry incident but rest assured that Liberty’s inquiry will continue.

BBC News reported that attorneys for Liberty represented the 15-year-old boy to the CPS. In media statements Friday, Liberty said it would continue its inquiry into the actions of the City of London Police. “The police may have ended their inquiries into this tawdry incident but rest assured that Liberty’s inquiry will continue. Democracy is all about clashing ideas and the police should protect peaceful protest, not stifle it,” said James Welch, legal director at Liberty. “Reason has prevailed in the case of the anti-Scientology protester”, wrote Welch in a comment piece in The Observer. According to The Press Association, Liberty’s inquiry may result in actions taken against the City of London Police.

The City of London Police has faced controversy in the past for its close association with the Church of Scientology. When the City of London Scientology building opened in 2006, City of London Chief Superintendent Kevin Hurley praised Scientology in an appearance as guest speaker at the building’s opening ceremony. Ken Stewart, another of the City of London’s chief superintendents, has also appeared in a video praising Scientology. According to The Guardian over 20 officers for the City of London Police have accepted gifts from the Church of Scientology including tickets to film premieres, lunches and concerts at police premises.

Unlike the City of London Police, the Metropolitan Police Service (the territorial police force responsible for Greater London excluding the City of London) has not raised an issue with protesters using placards with similar wording at protests against Scientology, according to The Guardian and Londonist.

Each of the Project Chanology international protests against Scientology has had a theme: the February protest called attention to the birthday of Lisa McPherson, who died under controversial circumstances while under the care of Scientology, the March protest was arranged to take place two days after Scientology founder L. Ron Hubbard‘s birthday, the April protest highlighted the Church of Scientology’s disconnection policy, and the May protest highlighted the Scientology practice of “Fair Game” and took place one day after the anniversary of the publication of Hubbard’s book Dianetics: The Modern Science of Mental Health. Another international protest is planned for June 14, and will highlight the Church of Scientology’s elite “Sea Organization” or “Sea Org”.

 This story has updates See UK group Liberty, Edinburgh city council on Scientology ‘cult’ signs 

No prosecution for UK minor who called Scientology a ‘cult’
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